Cello Concerto

Paul Watkins (cello) & BBC Philharmonic, Sir Andrew Davis

The Cello Concerto in E minor, written in 1918 – 19, was the last major work Elgar completed. Its mood is often described as ‘autumnal’, and highly reflective of the ageing composer’s own state of mind. At the time of writing it, Elgar was concerned about the failing health of his wife and about his own waning popularity; he was deeply disturbed, too, by the horrors of the First World War.

Paul Watkins is the cello soloist in a recording that showcases some of Elgar’s most popular works. He is accompanied by the BBC Philharmonic and Sir Andrew Davis, a conductor steeped in the English music tradition.

Elgar:
 Cello Concerto in E minor, Op. 85
 Paul Watkins (cello) & BBC Philharmonic, Sir Andrew Davis

 Introduction & Allegro for strings, Op. 47
 Peter Dixon (cello), Steven Burnard (viola), Daniel Bell (violin), Steven Bingham (violin) & BBC Philharmonic, Sir Andrew Davis

 Pomp and Circumstance Marches Nos. 1-5, Op. 39
 BBC Philharmonic, Sir Andrew Davis

"Davis, an Elgarian of perception, understands the smallest implications in the light but beautiful orchestration, ideal accompaniment to the cello. Watkins is watchful of the detail in the heartfelt opening statement...Watkins and Davis give [the finale]...a distinct dryness of utterance. Much falls into place with this approach."
International Record Review - May 2012

"There are times when a recording of a popular classic comes along that's so fresh, understanding and heartfelt that it demands to be approached solely on its own terms. Paul Watkins's Elgar Cello Concerto is firmly in that class. Watkins's emotional shading is individual, without it ever sounding as though he's trying to be individual."
BBC Music Magazine - July 2012 ****

"Watkins plays with consummate artistry, his golden-toned and technically flawless contribution striking a judicious balance between classical poise and unexaggerated depth of feeling...Durable rewards guaranteed, then, and the same certainly holds true for Davis's dashingly articulate, meticulously observant and superbly musical handling [of the Marches]...for the two main offerings alone every Elgarian should investigate this release"
Gramophone Magazine - July 2012