Beethoven - Wagner - Verdi

Lise Davidsen (soprano) & London Philharmonic Orchestra, Mark Elder

Lise Davidsen toont opnieuw haar veelzijdigheid met haar tweede album "Beethoven - Wagner - Verdi" samen met het Londens Philharmonisch Orkest onder leiding van Sir Mark Elder. Met het tijdens lockdown opgenomen repertoire brengt zij hulde aan enkele van de grote heldinnen uit de Duitse en Italiaanse opera: Verdi's Leonora uit La forza del destino, Cherubini's Medea en Santuzza in Cavalleria rusticana. Niet alleen de opname van de aria "Abscheulicher! Wo eilst du hin?" van Leonore uit Fidelio, maar ook haar signatuurstuk, de vijf "Wesendonck Lieder" van Richard Wagner, zijn echte hoogtepunten van haar nieuwe album.

Beethoven:
 Fidelio, Op. 72 / Act 1
 Ah perfido!, Op. 65

Cherubini:
 Medea / Atto 1: Dei tuoi figli la madre (Ed. Testi)

Mascagni:
 Cavalleria Rusticana: Voi lo sapete, o mama

Verdi:
 La forza del destino / Act 4: Pace, pace, mio Dio
 Otello / Act 4: Ave Maria, piena di grazia

Wagner:
 5 Wesendonck-Lieder

“It’s a one-in-a-million voice.”
Antonio Pappano

“Voices like hers come round once in a generation.” – She will surely be the outstanding Leonore of the next generation.”  Financial Times****

“The voice of the century.”
ZDF Heute Journal

“A God-given instrument, used with sensitive artistry. To hear it alone is worth the price of any ticket.”
The Daily Telegraph ****

“A once-in-a-generation-voice”
Opera Magazine

“One of the greatest vocal talents to have emerged in recent years, if not decades.”
Gramophone

"The Wagner sounds properly calm and contemplative. But what’s interesting here is her success with ‘Voi lo sapete’ from Cavalleria rusticana and ‘Pace, pace’ from La forza del destino. Davidsen has sung French, Russian and Czech roles, and in this Italian repertory she brings vocal richness and idiomatic confidence to the music."
Opera - May 2021

Luister Magazine 756 - LUISTER TIEN

"Her voice reminds me now of Birgit Nilsson’s at the same stage, an Elsa and Sieglinde who is a Brünnhilde in waiting, with the same thrilling edge to her top register, though she isn’t lacking in her lower notes either. As the Ave Maria from Verdi’s Otello makes clear, she can also scale her voice down."
BBC Music Magazine - June 2021 *****(performance) / ****(recording)